In this drama, the institutions always prove larger, and those characters with hubris enough to challenge the postmodern construct of American empire are invariably mocked, marginalized, or crushed. In much of television, and in a good deal of our stage drama, individuals are often portrayed as rising above institutions to achieve catharsis. It’s the police department, or the drug economy, or the political structures, or the school administration, or the macroeconomic forces that are throwing the lightning bolts and hitting people in the ass for no decent reason. I could say more, but first time viewers trust me: even if at first you find season two weak, if you like the show enough to rewatch it you are going to love season two.īut instead of the old gods, The Wire is a Greek tragedy in which the postmodern institutions are the Olympian forces. Rewatching the series, season two provides a lot more context for how affects the city, in a more powerful way than even season four does. It shows us what the police departments are about and also what they are not about.Įven if the Barksdale crew isn't the focus, the most important developments in their story start in season two. It gives us the big picture of how everything is connected when it comes to drugs, politics, and bureaucracy. The reason for that is that, while it changes focus from the street, we get to see awesome new characters with more depth than anyone else and more importantly season two binds the rest of the show together. It is worth noting that - me included - most of the people who think season two is weak reverse their opinion if they rewatch the series and consider season 2 one of the best.
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